![]() ![]() ![]() That’s like buying a car and only using half the engine. Category 4+ Age Rating Duet Air - Remote Desktop Screenshots iPad iPhone About Duet Air - Remote Desktop 1 best-selling iPad app in US, Japan, UK, Germany, and 17 other countries Duet turns your iPad or iPhone into the most advanced Remote Desktop or extra display for your Mac & PC. Mac computers are unable to recognize Duet as a true second display, so Duet gets inconsistent graphics acceleration and Metal GPU support. The result is an ultra-crisp picture and a perceptually-lossless display. Complete GPU accelerationīecause your computer recognizes Luna as a true display, Luna is able to harness the raw power of your computer’s graphics card, allowing complete GPU acceleration across all apps. Luna Display can drive all iPads at the full, native Retina resolutions for Macs that support Retina mode.ĭuet Display is limited to 1080p, which doesn’t necessarily fit the size of the iPad. This also puts Duet’s software at risk of being unsupported when your desktop releases future OS updates. That means you’ll get robust and reliable performance every time you use Luna.ĭuet Display relies on software that “tricks” your Mac into thinking a display is attached, causing glitchy and unreliable performance. Luna’s hardware component allows your desktop to recognize Luna as a real display. LIQUID’S algorithm features our built-in Velocity Control, which analyzes WiFi network conditions dozens of times per second to balance image quality and latency. Luna typically sees latency of 16 to 32 milliseconds (ms) over WiFi. Luna runs on our proprietary display protocol called LIQUID, which was built to provide low-latency and high-resolution on WiFi networks. But your workflow isn’t pre-recorded, and that’s why we built Luna Display with low latency for faster performance. Headless Mode: Looking for a powerful travel-friendly setup with your Mac mini? Headless Mode lets you use your Mac or iPad as the main display for Mac mini and Mac Pro.Įxplore Modes Low latency means smoother performanceĭuet Display uses traditional video playback technology that was designed for pre-recorded films, where real-time feedback isn’t an issue.Computer-to-Mac Mode: Use any Mac as a second display - perfect for anyone with multiple Macs.Featuring full touch support and gestures. Computer-to-iPad Mode: Seamlessly extend your desktop to your iPad, works with Mac or PC.Luna Display offers a variety of workspace setups, including: The guide below outlines the benefits of a hardware solution so that you can make an informed decision for your workflow:įull touch gestures and Apple Pencil supportĭuet Display is limited to desktop-to-iPad setups. If you're looking into trying out our remote desktop to desktop connections (PC <-> Mac), you don't need Duet's base app check this article instead.Software-simulated displays like Duet Displays are limited and offer an unreliable display experience. When considering on-the-go workspace solutions, Luna Display and Duet Display are two options to use your iPad as a second display. Luna Display Versus Duet Display level up your remote workflow ![]()
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![]() ![]() What do you need to know about GHS Labels? Signal word – There are two signal words used by the GHS – Danger and Warning. What terms are the signal words found on a GHS label select all correct answers? Standardized elements such as chemical identify, hazard statements, signal words and symbols will appear on the label according to the classification of that chemical or mixture. Labels – With the GHS, certain information will appear on the label. How do you find GHS signal words for a chemical? “Danger” is used for high risk hazards, while “Warning” is used for less severe hazards. There are only two signal words used: “Danger” or “Warning”. There are six major pieces of information on a GHS label. As a result, GHS labels use a combination of pictograms and text to convey information. How many major pieces of information are on a GHS label? Pictogram – Pictogram refers to the GHS symbol on the label and SDS. The appropriate signal word to use is set out by the classification system. These signal words are used to communicate the level of hazard on both the label and the SDS. There are only two words used as signal words: “Danger,” and “Warning.” They are used to convey to the reader the level of severity of the hazard within the container. What are two signal words to be used on all shipping labels? If additional identifiers are needed beyond the product name, these identifiers can be placed to the right of the manufacturer’s information on a GHS label. Manufacturer information – GHS labels must include the manufacturer’s name, as well as contact information including an address and phone number. Signal word is one integral part of a GHS label. They are used to emphasize chemical hazards and indicate the relative level of severity of the hazard. There are only two signal words in GHS: “Danger” or “Warning”. How many signal words are on a GHS shipping label? 6 What required information must GHS Labels include?. ![]() 5 What do you need to know about GHS Labels?.4 How do you find GHS signal words for a chemical?.3 How many major pieces of information are on a GHS label?.2 What are two signal words to be used on all shipping labels?.1 How many signal words are on a GHS shipping label?. ![]() ![]() ![]() The first floor space they’ve dubbed the Wallace Room is now awash in pretty shades of gleaming emerald and chartreuse. The once cluttered, grandma-tavern aesthetic that enraptured fans of celebrities and burgers for sixteen years is gone with it, the once-ubiquitous pigs. What’s inside is rather nice, and the pre-entry pomp does it a disservice. What might have seemed impressive in 2006 is a naked affectation today, but this introduction is more than just an eye-roller. “We’re trying to create a clubhouse without being a membership club,” Abramcyk told The Wall Street Journal a conceit that, if landed, would only evoke the worst of both worlds. It’s dated, alienating and impractical, creating a truly goofy pseudo exclusively reminiscent of comical red velvet ropes rather than what I imagine is a stab at the gatekeeping of proprietor Matt Abramcyk’s early-aughts Beatrice Inn. He oversees every order that comes out of his kitchen.Approach The Golden Swan’s 11th Street address (the same one previously occupied by The Spotted Pig a restaurant that cycled through hospitality’s highest highs and its most disturbing lows before closing in disgrace in January of 2020), and a host stands guard outside. “Each ingredient demands its own precise timing and heat intensity,” the chef says. So fine are the holes that smoke enters while liquid stays in. Arguinzoniz’s most famous invention is a laser-perforated pan for cooking risotto. Caviar? In a double-tiered lidded mesh pan, at 122 degrees and just until it starts sweating oil. Can an egg yolk be grilled? Yes, in a little ringed fine sieve with removable sides, which looks like a miniature cake pan. (Arguinzoniz scrapes the grills every day anyway, to remove the scent of old carbon char and any accumulated drippings.) Rather, he cooks the food in various sievelike baskets and pans he’s created. ![]() Very few ingredients are grilled directly on grates. The grills are powered by wood coal that Arguinzoniz prepares himself, twice a day, in two 750-degree ovens. This way, the ingredients’ distance from heat can be regulated with perfect precision. The grates move up and down during cooking through an ingenious system of tracks and pulleys controlled by a wheel. Lining the entire wall of his kitchen are six custom-made, stainless steel grills. Since the necessary tools didn’t exist, Arguinzoniz designed them himself. Taking grill cuisine to unexpected places required a whole new set of equipment. ![]() They arrived at the table barely heated through and improbably succulent, with a touch of wood smoke. A few years later, he divined a way of grilling fresh anchovies, sandwiching two tender little butterflied fish together, misting them with Txakoli spray and then cooking them for a nanosecond. Instead, he invented a meshlike stainless steel saucepan and positioned it high above the hot coals. Actually, Arguinzoniz didn’t try to toss them onto the grate either. And so, in the late ’90s, he did the impossible: He grilled angulas, which are so fragile and miniscule no sane chef would ever toss them onto the grate. “What if delicacies like foie gras or spiny lobster met the grill?” he’d fantasize. The flavors were charred and delicious but one-dimensional, and eventually, inspired by the prime ingredients served at the white-tablecloth restaurants he occasionally visited, he wanted more. Initially, Arguinzoniz served iconic Basque asador (grill-house) dishes: chuletas (bone-in rib eyes), whole sea bream, cogote de merluza (hake neck). ![]() ![]() ![]() ![]() He spent 4 years as the Canadian Government’s Independent Advisor on its National Shipbuilding Strategy routinely attending the monthly Deputy Ministers’ Governance Committee. Since 2014 he has been an independent advisor on complex portfolios and programmes from Australian shipbuilding to the Met Police’s information infrastructure transformation project. His final role was as the MOD’s lead on all warship shipbuilding as Director Ship Acquisition, responsible for the warship building portfolio including building HMS Queen Elizabeth and the Type 26 Global Combat Ship programme. He held acquisition roles in every rank from Lieutenant to Rear Admiral across Submarine systems, Information Infrastructure and Crypto systems. Steve trained as a nuclear submarine weapons engineer, leaving the Royal Navy in 2014 after a 36-year career. He lives at Warsash with his wife, Tracey, and enjoys watching all sport, working on his family history and fighting the eternal battle against weeds in the garden. He also recently chaired the Appeal to build the new submariners’ Memorial at the National Arboretum. He was National President of the Royal British Legion from 2012-2016. Since retiring, he has been Chairman of the Seafarers Charity and the Forces Pension Society. He then undertook a range of staff appointments in London and Portsmouth, including Defence Services Secretary and Deputy Chief of the Defence Staff (Personnel). He then commanded HM Submarines Otter, Superb and Vanguard before completing his operational career as Captain of the Second Submarine Squadron. He served in both diesel and nuclear submarines ( Opportune, Onslaught, Resolution and Churchill) before being selected to attend the Commanding Officers’ Qualifying Course. ![]() Peter Wilkinson joined the Royal Navy in 1975 and chose submarines as soon as he could. ![]() ![]() After getting to the low 200° I don't make any changes for hours on end or only if there is a 10° degree swing. Now instead of getting up every couple minutes, I find myself only checking the remote receiver every 30 mins or so. I also found the tip in this thread to make half increments when making adjustments and only moving the top vent if possible. I usually leave bottom vent about 1.25 - 1.75 and control more consistent temps by adjusting the top vent only. It will either settle down around 200° or it will keep dropping so all I have to do is open back up a little. ![]() I learned from this forum to get ahead of the temperature by setting vents to 2/2 at 160° and then gradually adjust the top vent to control temp. I switched from the minion method to the volcano method of fire building. I also found I was adjusting the vents too radically and too often. So finally the 6th attempt I was able to maintain 220° to 230° consistently. I also used the Char Griller dispersing stone and a water pan. But I stayed with it an got great results using the volcano method, using a mixture of all wood char and mesquite all wood briquettes. I wanted to see if I could maintain 220° range. The first 6 cooks were very challenging and I could not get under the 375° range (Yes, I know I am a slow learner, LOL). Persistence Pays Off or Practice Make Better: I started using a water pan on top of the stone. I got a dual probe, electronic remote thermometer and dispersing stone from Char Griller. ![]() Some readers have offered modifications to the Akorn, but I decided to not make any until I had exhausted every attempt to learn how to control my temps. I wanted to update my June, 2013 frustration with getting my Char Griller Akorn to cook low and slow. ![]() ![]() ![]() Put and led in at 20mA and you're down to 30 hours.Overkill. If you end up with say a standing Id of 0.5mA, a PP3 battery should last about 1200 hours, ie 50 days. You could add a power on led, but I really really wouldn't! Why? Because a reasonable drive level for an led is about 20mA, ie at least 40 times the amount of current the preamp will draw!ītw, your 220R resistor will give about 30mA with 9v supply, very bright, may well fail quickly. The basic formula for the reactance of a capacitor is:Ĭ is in Farads, with f = 0, Xc is infinite ![]() Its value depends on the frequecy you're measuring it at. Your piezo element should give a reading of infinity when checked at dc with a meter - simplifying a bit, its impedance is like a capacitor - it's a complex impedance - not just R, but C too. Instrument pickups usually, though not always, work best when they're lightly loaded - the thing they're driving is higher z than they are. Its value is not related to that of R3.Ī regular guitar amp will have a high impedance (z) input, the standard till circuit should drive it fine. ![]() R4 is simply a bleed resistor to keep the output side plate of C1 at ground potential, so that plugging into an amp doesn't produce a nasty crack. You can always think about the hot rod version later. It has modest gain, about 6.8/2.2 = about 3x, or 9.5dB. It's not a source follower, but its output impedance is quite low enough for any reasonable cable and instrument amp input. If you just want to cut to the chase, and assuming you want to drive a high z instrument amp input, which seems the most likely case, I'd recommend you go for the standard Till type preamp: "what sort of amplifier input do you want to drive?" "how much gain, if any, do you need, to drive the amp you're going to be using?" Yes, ideally we'd like that much headroom, but we probably won't get it and might not need it anyway. Without the luxury of selecting devices from multiple batches, specifying a target Vs for a source follower is unwise. I was wrong to have suggested it - fet threshold voltages generally are too variable from batch to batch. ![]() My recommendation of trying to get the source up to anything like 4.5v is infeasible for the 2N3819s in my current batch. The 2N appears just as variable as the 2N3819, and my datasheet for the J201 again doesn't give Vgs range for a useful standing Ids, but it does give cut-off Vgs in the range -0.8v to -4.0v, with Idss in the range 0.2mA to 1.0mA I've just breadboarded a couple of 2N3819s to see how they behaved in a source follower like the one I suggested.Ĭhecking the datasheet for 2N3819, the range of Vgs for Id = 200uA is quite broad, -0.5v to -7.5v. I am surprised at the low values being suggested here for Rs - my schematic was for a source follower, with the assumption that it would be used to drive a hi-z instrument amp input - I wonder if there might perhaps be bit of confusion about exactly what type of circuit needs what value of Rs? What purpose is served by using a value as low as 1k or 2k here? The higher the standing current the shorter the battery life. There is something of a "how long is a piece of string" to all this. So it's kind of stuck in my mind ever since, even though it was back in the 70's Four of five of the other staff jumped on him, pinned him to the floor, and took the clever off him. At this a chef in a tall white hat went bright red, grabbed a meat clever, and charged across the kitchen towards him. The soup was absolutely beautiful - and Dave (the older of the two disco brothers) said "this must have been a good can". A few minutes later they took us through to the kitchens, where we were given bowls of chicken soup. They didn't, but asked if we were with the disco, and said they would sort something out. This still sticks in my mind, because it was a disco for my old school leavers party, and while they were eating we asked at the bar if they did bar snacks (seeing as I had come direct from work, no food!). I went there straight from work, and the preamp changed the sound from 'crap' to 'absolutely amazing' I agreed to meet them one night at a disco, and I built a pair of FET source followers in a tobacco can, powered by a PP3 9V battery, and stuck it in my pocket. It shouldn't have any sort of 'tone' (which isn't really an electronic specification anyway), it should pass the piezo signal through unchanged, apart from it's size.īack to the guitar amp thing, years back a couple of friends used to do discos, and they used a guitar amp fed directly from ceramic PU's - it souinded CRAP!!. ![]() ![]() ![]() Use "Alt" to edit a single track while all other tracks stay selected. So rather than having the instrument editor automatically showing when clicking a channel strip, you need a double click on the colored label explicitly to show the editor.Īutomatically edit selected channels as a group: When activated, all selected channels will respond to changes like volume changes as a selection group. Show channel editor when clicking its channel strip: When disabled, the channel strips behave like mixer strips in terms of showing the editor. ![]() GUI Behaviour lets you optimize some basic settings for your workflow.Įnable parameter tweaking with mouse wheel: Disabling this feature will avoid changing any settings when using the mouse wheel to scroll through the GUI. ![]() Please find more about the workaround for this AU/VST limitation.įor Logic, there is a special workaround involving the Environment available.ĪU3 is another new option to improve performance, currently in BETA stadium. Audio Units by design do not offer more than 1 MIDI port per instance. If you want to use a multi-timbral instrument with 16 stereo voices, please make sure to set the number of audio ports to 32. You can change the number of used MIDI ports and Audio outputs per instance, just as your Audio inputs. If you run into performance issues, lower the amount of threads. To keep it simple, set the amount of threads to your amount of cores. If you're also running your host sequencer on the same system as the running instances, it might be wise to reserve a core for it. Ideally you should have as few threads as possible while still using all your cores. So 1 instance on an 8-core computer should use 8 threads, 2 instances should use 4 threads, and so forth. You may change the number of used threads in the Multiprocessing drop-down menu in real-time, and each Vienna Ensemble Pro instance will use the specified number of process threads. When deactivated, the channel will NOT receive MIDI information, therefore no samples will be streamed. You can also enable/disable Plug-in Latency Compensation.Įnable MIDI for muted channels is a great help when you are running into streaming troubles, e.g., with multi-microphone setups, while composing. Set the Default Pan Law for all new instances here. It is also possible to apply these settings to all instances. ĭisable Samples lets you disable (unload) all samples loaded in the selected instances.Įnable Samples lets you enable (load) all samples in the selected instances. The Vienna Instruments Menu of Vienna Ensemble Pro offers some options that affect all loaded Vienna Instruments / Vienna Instruments Pro instances in the selected Vienna Ensemble Pro Server: Learn all / Optimize all / Reset all / Master Tuning. ![]() GUI offers the option to Activate window on MIDI activity focus and also whether or not you want to Activate window in plug-in raise. Default: OffĪdditionally, you can set the time interval for Auto-Save, and you can choose whether to Ask to load saved server project after crash. Saving lets you determine whether Vienna Ensemble Pro should ask to save changes on exit. You can also enable and disable the automatic update check in the General Preferences. The Incoming project data behavior refers to the handling of project data stored with your song (and pushed to your Vienna Ensemble Pro by your sequencer). You can also choose to open unsnapped instances minimized on load (this only applies when loading a *.vesp file). Server Name lets you easily identify each computer your VE Pro Server runs on.Īdvertise on local network needs to be active to make your Vienna Ensemble networked computer visible for other computers in your network. Vienna Ensemble Pro Preferences Server PreferencesĪccess the Preferences of the Vienna Ensemble Pro Server via the Preferences icon (the cogwheel) or the shortcut Cmd/Ctrl +P. ![]() ![]() ![]() I was pleasantly surprised with the finish this product gave me, purely because of the price.īoth products gave off a very similar look which I was really impressed with. It definitely had a more ‘bronzey’ glow to it as opposed to the Charlotte Tilbury, which I preferred. The Revolution dupe is perfect for a bronzed look (Image: Emily Sleight/ Liverpool ECHO) It felt nice on the face and had a pleasant scent, but it only gave off a tiny glow before applying my foundation. If I’m being completely honest, when applying Charlotte Tilbury’s Hollywood Flawless Filter, I wasn’t blown away instantly. I own a couple of her products and they all look absolutely beautiful, with pretty rose gold lids and a luxurious feel.īut, if we’ve basing this entirely off price, the Revolution dupe looks pretty great too, for less than £8. ![]() I’m a sucker for packaging, and Charlotte Tilbury definitely knows how to impress, so it wins this round. When you look at both products side by side without the packaging, they both look pretty similar.īoth in glass containers with a golden lid, the products give off an ‘expensive’ feel, despite the Revolution product being four times cheaper. So, I thought I’d give this Revolution £7.50 dupe a try, to see if it’s anything like the Hollywood Flawless Filter for a fraction of the price. There are plenty of dupes for Charlotte Tilbury products, but the one that caught my eye was the Revolution Skin Glow Tinted Booster Blaze. READ MORE: The hair mask 'better than Olaplex' that leaves hair looking salon fresh The award-winning product which has gone viral on TikTok is said to smooth, blur, illuminate and give your skin a 'magical' glow. Charlotte Tilbury is known for being a luxury brand but it is definitely on the pricey side.Ĭurrently, everybody wants to get their hands on the ‘Hollywood Flawless Filter’ glow booster priced at £34. ![]() |
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